Apparently, Game of Thrones star Richard Madden, who played Rob Stark for three seasons on the hit HBO fantasy-drama, is now being seriously considered as the next actor to play James Bond after Daniel Craig ends his long-running tenure.

In addition to his role on Game of Thrones, Madden is known for playing Cosimo De’ Medici in Medici: Masters of Florence and is set to co-star alongside Taron Egarton as the music manager of Elton John in his upcoming biopic Rocketman.

The news comes by way of The Sun (not the most trustworthy of sources, we know, so take all of this with a grain of salt), which recently spoke with Bond franchise producer Barbara Broccoli. Broccoli says that she has a handful of actors in mind to be Craig’s successor, with one source claiming that Madden is at the top and that Eon Productions is in the process of preparing to make him an offer. “Not only is he on top of Barbara’s list, but she is preparing to offer the role,” said the source.

Apparently the decision to cast him in the role came from Madden’s performance as Sergeant David Budd in the BBC drama Bodyguard, which initially only ran in Britain and Ireland. After some success in those markets, the series has gained some popularity and attention abroad, and has been acquired by Netflix, which will begin streaming it on October 24th.

Source: BBC One

Details surrounding the Bond franchise have been coming out fairly steadily, including some info regarding the upcoming Bond 25, which is set to be Daniel Craig’s fifth and final time appearing on-screen as James Bond. Last month, it was announced that Cary Fukunaga (True Detective, Maniac) had replaced Danny Boyle as director.

Though its definitely an interesting prospect, the Bond franchise is pretty well known for having a lot of casting rumors,and with other great considerations for the role like Tom Hardy, Idris Elba, Henry Cavill, and others, it’s hard to say who the production team will pick for the role.

With Daniel Craig having been such a great pick for the role for so many years, it’ll certainly be interesting to see how whoever is picked will perform in comparison.
Who do you think the production team will settle on for the role? Is Madden the right choice for 007? Let us know what you think in the comments section!

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Source: The Sun


License To Thrill: The 12 Best James Bond Films Of All Time

Via thesun.co.uk

The James Bond 007 series is the longest-running film franchise with an astounding 23 and counting films over a 53 year period. To say that Bond has had a profound effect on popular culture and filmmaking in general would be a vast understatement. James Bond represents an idealized masculinity with his jet-setting lifestyle full of fast cars and fast women. He’s also a deeply flawed character with questionable morals and many of his films have come under fire from critics due to their poor representations of women and minorities. That being said, many of the films are still entertaining and the modern Bond films have done a lot to address these criticisms. Out of 23 films, there have been some significant hits, as well as a fair share of turds in the mix. The following 12 James Bond films are arguably the best of the bunch though and shouldn’t be missed by anyone with an interest in the series.

12. Live and Let Die (1973)

The eighth entry into the Bond franchise and the first to star Roger Moore as the titular secret agent, Live and Let Die is the strongest of Moore’s Bond films and the only one which doesn’t waste too much time on ridiculous gadgets and the over the top shenanigans, puns and action that made the Bond franchise a bit of a joke during his tenure. Live and Let Die, whose cultural legacy also includes the spectacular Bond song “Live and Let Die” by Paul McCartney & Wings, sees Moore’s Bond investigating the death of several fellow agents, a mystery which leads him to cross paths with a dangerous Caribbean dictator. A fairly ridiculous film which plays heavily on racial stereotypes (occasionally to an inappropriate level), Live and Let Die is the first of only two Roger Moore films that make an appearance on this list, as most of his other films are far more ridiculous affairs that we simply couldn’t justify as having a place amongst Bond’s best adventures.

https://vinnieh.wordpress.com/2015/02/03/live-and-let-die/ Via vinnieh.wordpress.com
Via vinnieh.wordpress.com

11. Diamonds Are Forever (1971)

Released in 1971, Diamonds Are Forever is the seventh film in the James Bond franchise and saw Sean Connery return as the renowned secret agent after George Lazenby departed the series following On Her Majesty’s Secret Service (1969). Despite the return of Connery, Diamonds Are Forever is not the strongest entry into the Bond franchise; it is, however, a solid overall film that features some great acting and one of Bond’s most iconic villains, Ernst Stavro Blofield (as played by Charles Gray). The last film to make use of the evil organization SPECTRE before the upcoming film of the same name, Diamonds Are Forever sees Bond trying to bring down the shady criminal enterprise through his usual means of espionage, seduction and a good dose of ass kickery. While the film occasionally digresses into some absurd territory (foreshadowing the cheesy turn the franchise would take once Roger Moore took over as Bond), it remains a “Sean Connery Bond Film” at heart, and as such it’s most definitely worth of its place on this list.

http://glenonfilm.com/2015/06/30/the-james-bond-rewatch-diamonds-are-forever-1971/comment-page-1/ Via glenonFilm.com
Via glenonFilm.com

10. License to Kill (1989)

There is not a lot of love out there for Timothy Dalton’s second and final outing as James Bond. A lot of negativity surrounds this 1989 film, as many fans were critical of its darker tone. It also didn’t help that the film performed poorly at the box office, which contributed to the series taking a six year hiatus. Nevertheless, in retrospect, License to Kill is very underrated and actually has more in common with the more recent Bond films than some may think. Dalton’s brooding, revenge-seeking portrayal of 007 is similar in many ways to Daniel Craig’s highly regarded take on the character, which makes all the criticism of Dalton confusing. Bond’s rogue mission to take down a drug kingpin who attacked his friends feels like a plot that Craig’s Bond would tackle, and while there are some significant missteps, License to Kill deviates from the typical feel of the franchise in enough interesting ways to make it one of the better Bond outings, despite its reputation.

License To Kill

9. The Spy Who Loved Me (1977)

Roger Moore had the longest stint as Bond, appearing in seven films over a 12 year period (1973-1985). Unfortunately, Moore also has the unfortunate distinction of appearing in some of the worst films in the entire franchise, his tenure defined mostly by its campiness and ridiculous concepts. Luckily, his third outing as the iconic British spy was a hit and made up for the The Man with the Golden Gun (1974). The Spy Who Loved Me encompasses pretty much all of the tropes that have become synonymous with the franchise: cool gadgets, fast cars, beautiful women, and entertaining villains – the recently deceased Richard Kiel appears as the iconic villain Jaws. It’s simply a fun Bond film in the classic sense and sometimes that’s good enough.

The Spy Who Loved Me

8. Dr. No (1962)

It’s hard to believe the Bond films have been around since 1962 and Dr. No is the one that started it all. The great thing about this film is that it feels so assured and well-thought out – this is not a series that needed a few films to find its footing, that’s for sure. Sean Connery simply embodies the role from the very beginning; it’s not hard to see why it was so difficult for another actor to fill his shoes after he left the role. Granted, Dr. No does feel stripped down compared to many films in the series – there isn’t much action and the film is smaller than most, being set primarily in only one location as opposed to the globe-trotting the series has become known for. Regardless, Dr. No still holds up surprisingly well for a 52 year old film and absolutely still stands as a top 10 film in the franchise.

Dr. No

7. Skyfall (2012)

For being the newest film in the franchise, Skyfall commits a major blunder by repeating the misogynist tropes of the old 007 (Bond essentially rapes a woman in her shower). In spite of this rather offensive scene, Skyfall is one of the most exciting and original Bond films ever made – a film that honors the character’s past while setting its gaze squarely on his future. Directed by Sam Mendes, a filmmaker known for making more dramatic fare, Skyfall continually questions Bond’s relevancy in a more digitally-connected world, especially when Bond is an aging, fallible man (the film begins with Bond seemingly dying after being accidentally shot off a moving train). In addition, Skyfall offers up one of the best third acts in the series with a unique twist that sheds light on Bond’s past, an aspect of the character that has never really been addressed on screen. Mendes is returning to helm Spectre this year and if he can fix the misogynistic tendencies of this film, he could very well have one of the best Bond films ever on his hands.

Skyfall

6. The Living Daylights (1987)

The best Bond film of the 1980s, The Living Daylights was the first and best film of Timothy Dalton’s underrated, much-too-short run as Bond. Of all the films in the pre-Daniel Craig era, this one feels the most like a modern Bond film and that’s a very good thing. In addition to Dalton’s fantastic work as a more physical, serious 007, The Living Daylights also delivers a fantastic plot filled with double-crosses and international arms dealings. It also has a phenomenal final act set in the deserts of Afghanistan, centred around a mid-air brawl set on a plane that would go on to inspire a similar scene in the popular Uncharted video game series. The Living Daylights doesn’t quite match up to the quality of the last few Bond films, but it is an important and underrated entry in the series that proved Bond could be a more serious and physical presence long before Daniel Craig stepped into the role.

The Living Daylights

5. Goldfinger (1964)

The third film in the franchise, Goldfinger is often credited with being the first to establish the “Bond formula”, namely the tropes that would carry through to many of the other films (gadgets, girls, and diabolical villains with insanely elaborate world domination plans). Goldfinger is a great introduction to Bond’s classical era, as it has several thrilling set pieces and a fun but ridiculous story to boot. Tasked with stopping international gold tycoon Auric Goldfinger from upending the world’s economy by flooding Fort Knox with radiation, Bond has to contend with such iconic figures as Oddjob, Goldfinger’s hat-throwing henchman, and Pussy Galore, a pilot played by Honor Blackman (with one of the best double entendre names in the series). All of this adds up to Goldfinger being arguably the best “classic” Bond to revisit, as it represents the beginnings of so many Bond conventions.

Goldfinger

4. Goldeneye (1995)

Goldeneye was a very significant film because it not only introduced the world to a new Bond with Pierce Brosnan but had to prove that the franchise was still viable after a six year hiatus from 1989’s License to Kill, the longest wait between films in series history. Thankfully, Goldeneye was not only worth the wait, but became a fan-favorite in its own right and is considered one of the best films in the franchise. Goldeneye has so much going for it: a great villain in the former friend-turned-enemy Agent 006, played by the always reliable Sean Bean, strong female leads in computer hacker Natalya Simonova (Izabella Scorupco) and the domineering villainess Xenia Onatopp (Famke Janssen), and a self-aware story that, among other things, directly addresses the misogynistic nature of the James Bond character. Plus, Judi Dench makes her first appearance as Bond’s superior M, which remains one of the best casting decisions in the series.

Goldeneye

3. From Russia With Love (1963)

Although Goldfinger is the Connery film that holds up the best, From Russia With Love is the best Bond outing the Scotsman ever did. Released in 1963, only a year after Dr. No, From Russia With Love is very much a hard-edged spy/espionage films, whereas most of the other Bond films are more cartoonish and fantastical. As the title implies, Bond is sent to Russia in order to retrieve an encryption device from a nefarious criminal organization called SPECTRE. One of the great things about this film is that it really helps fill in the world of James Bond after the relatively low-key plotting of Dr. No. SPECTRE are a significant addition to the series, so much so that the next Bond film is bringing it back, going so far as to use it as the title. As if that wasn’t enough to elevate it to the top three, From Russia With Love also has one of the greatest fight scenes in the series, a brutal bare-knuckle brawl in a cramped train compartment that’s every bit as thrilling as modern day film fisticuffs.

From Russia With Love

2. On Her Majesty’s Secret Service (1969)

The best Bond film prior to Daniel Craig’s run and close to being the best ever made, On Her Majesty’s Secret Service is most famous for its behind-the-scenes drama rather than the film itself, which is a shame because it’s a true gem. Released in 1969, this was the first Bond made without original actor Sean Connery. Debuting in his one and only appearance as Bond, Australian model George Lazenby is better in the role than he has any right to be, and Diana Rigg proves herself to be the definitive Bond girl with a scene-stealing performance. Accompanied by a sensational score composed by John Barry, and an epic ski-chase that would inspire many other films, including a similar scene in Christopher Nolan’s Inception, On Her Majesty’s Secret Service is the gold standard of classic Bond and the most underrated film in the series.

On Her Majesty's Secret Service

1. Casino Royale (2006)

The film that reinvented Bond for the 21st century and saved the franchise from mediocrity and becoming a parody of itself, Casino Royale is not only the best Bond film but one of the best action/spy films of the new millennium. Pretty much everything about this film is top notch, from the black and white cold open to the honest-to-goodness love story informing much of the action. Daniel Craig owns the character completely and brings a much-needed physicality and pathos to the role, silencing all of the critics who thought he was wrong for the role because of his blond hair, of all things. Romantic, stylish, cool, and exciting, Casino Royale simply encompasses every quality that a Bond film should aspire to and absolutely deserves to be called the best of this 50+ year old franchise.

Casino Royale